Graphic design is tons of fun, but it’s also work—and it takes a lot of mental energy. Sometimes you just have to get away and play. So how do you play and relax?
As many of you know, one thing that I’m enjoying a lot at the moment is letterpress. I’ve successfully restored a Vandercook SP-15 press, and today I cleaned up the C&P (not sure the model number or size at the moment. I know there’s a chase somewhere, but I haven’t measured it yet). And again, I must say, Evapo-Rust is a wonderful product!



I soaked some paper towels in Evapo-Rust and then wrapped up the press in plastic wrap to keep the Evapo-Rust from evaporating. It “soaked” for about 2 hours. There are still some rusty spots on the platen that were pretty bad (you can see on the edges), but that may not affect the inking process too much. See bigger photos in my Flickr set.
Along with cleaning the C&P today, I set up a small job for the Vandercook. Back when I asked for ideas for projects, Alex mentioned bookmarks. I thought that was a great idea! I chose a quote from The Hobbit:
I am looking for someone to share in an adventure that I am arranging, and it’s very difficult to find anyone. — Gandalf (to Bilbo)
That reminds me so much of what it’s like to start a new book—it’s an adventure! And The Hobbit was a fantastic story (I liked it way better than LoTR myself).
The paper that I have to print these bookmarks on is the perfect size to print two up, so I also want to make a bookmark with this quote:
What counts, in the long run, is not what you read; it is what you sift through your own mind; it is the ideas and impressions that are aroused in you by your reading. — Eleanor Roosevelt
Now isn’t that a great quote!
I set up Gandalf’s quote today and ran into an interesting problem that made me realize even more what an art letterpress is. I wanted to add those em-dashes for who said the quote but the font I was using didn’t have any! I’m sure many of you experienced letterpress artists out there are grinning and nodding; I think letterpress is full of things that you simply must work around.
So what do you do when you don’t have an em-dash? Well in this case, I found an ornament that does quite nicely (very elvish) and I actually like it better than a simple dash!
Do you have any fun letterpress stories? What work-arounds have you had to do to complete a project? Did you end up liking them better than what you originally had in mind?
For those of you who aren’t into letterpress, what do you do for fun? How do you get away from the riggors of designing?


Hi Lauren,
I loved your story about substituting an ornament for the dash — yes, working with handset type is like that. I think that being limited in your materials contributes greatly to creativity. I remember that one of the Beatles was asked if their music would have been different if they had been able to use all of the synthesizers and software that became available later on. He said it wouldn’t have been anywhere near as good.
I bought an old copper frame, and the challenge was to find a poem that would fit in it using one of the typefaces that I already had in my possession. I found a poem, one I loved, that I would never have discovered otherwise. Here’s the result:
http://flickr.com/photos/7929005@N07/1470066839/in/set-72157602228163834/ Barbara
Hi Lauren
Finding out the model type on a C&P is a cinch. First off the style of the spokes on the flywheel will tell you if it’s an Old Style or New Style, they are curved if it’s an Old Style and straight if it’s a New Style. On the bed of the press (where you lock up your chase) in the upper left corner in the serial number. If you reference this pdf you can figure out what year is was made. http://www.press817.com/C&P%20serials.pdf
Mine was made between 1924-1925!
monique´s last blog post..Metal Doily Press
Barbara,
Hehe, thanks! I totally agree that limitations bring out the creativity. I never would’ve considered using an ornament instead of the dash. Your story is neat! Thanks for sharing! I got a lot of pointers just from reading the comments on your photos—carbon paper! Gonna remember that one. Why do you dampen the sheets?
Monique,
Thanks so much for that link! I did notice the serial # and I have some good pictures of that area. It looks like the serial is C65764 (the first 6 is pretty faint), which means it’s a New Style 10x15 and was probably made in 1924. Wow! I didn’t realize it was so old! There are two other C&Ps also; I’ll have to mark the serials and look them up!
Oh that’s lovely! I’m quite fond of those machines and I’m not sure why.. They just kind of look so different to what I’m use to (the large round inking disc is fantastic).. good job on cleaning it up.
Barbara - I love the shots of the lockup on flickr! I also love the upside down e in your first pass.. and now I’m off to look up more William Blake - when i was at high school, his poems got me going, but I completely forgot about him till down. Thank you for the reminder
once again you’ve gotten me excited about letterpress.. I’m going to see if I can get a couple fonts by/for christmas and start looking at getting stuff to do poly stuff..
Alex Charchar´s last blog post..50 Movie Poster Remakes (M-R)
Alex,
I never knew there were so many different kinds of letterpresses until I started working with them (the ink disk is called a platen, btw). Some of them look pretty scary, like your Heidelberg and this monster. I saw a video on YouTube of one running once (at least I think it was the III) and it goes fast!
Be sure to look through all of Barbara’s photos. They are all fantastic!
(and I got your email and skimmed through it, I’ll reply as soon as I can! I’m happy you got your motor running though! YAY!)
Wow, a platen? Interesting.. platen is a more generic term than I thought I guess.. I assumed it would only be what the paper sits on to be pushed against the inked type.. but it would make more sense for it to be any type of plate-like device? Thanks for the tip!
Alex Charchar´s last blog post..50 Movie Poster Remakes (M-R)
Alex,
Ok, you got me doubting that the ink disc is actually called a platen. I think a lot of people assume it is (I’ve asked other printers before!), but according to the C&P parts list, it is the piece with the tympan paper (where you put your paper to be printed on) that is the platen. So you are right *blush*